Janet Cardiff: The Forty Part Motet
The Cathedral of St. John the Divine has long been recognized as a space to gather that encourages dialogue on the issues of the day. In our current cultural and political climate we seem to have lost the ability to engage in constructive conversations around differing viewpoints. It seems that we are no longer able to really listen to each other.
In Janet Cardiff's sound installation, situated in the North Transept, forty separately recorded voices are played back through forty speakers strategically placed throughout the space. Visitors are encouraged to move about the space to gain different perspectives on the work. The piece exemplifies the value of listening carefully and with intention, traits that we hope might be carried outside of the Cathedral and into our everyday lives.
On loan from the collection of The Museum of Modern Art
On view September 13 - December 31, 2024.
Included with Admission to the Cathedral during regular open house:
Monday - Saturday, 9:30am - 5pm
Sunday, 12pm - 4pm
Please note that the exhibition will be closed the following days/times:
Tuesday, December 24th - Closing at 3:30pm
Wednesday, December 25th - Open 12pm - 4pm
Tuesday, December 31st - Closing at 2:30pm
Janet Cardiff
Canadian, born 1957
The Forty Part Motet (A reworking of “Spem in Alium” by Thomas Tallis 1556), 2001
40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer
Approximately 14 minutes in duration, looped.
The Museum of Modern Art, New York.
Gift of Jo Carole and Ronald S. Lauder in memory of Rolf Hoffmann, 2002
The Forty Part Motet by Janet Cardiff was originally produced by Field Arts Projects with the Arts Council of England, the Salisbury Festival, BALTIC Gateshead, The New Art Gallery Walsall and the NOW Festival Nottingham.
Sung by Salisbury Cathedral Choir
Recording and Postproduction by Sound Moves
Edited by George Bures Miller
Produced by Field Art Projects